Westworld is a pretty interesting series, filed with contemplations on the power of narrative and various takes on questions of free will, self-awareness, and machine sentience. It was also filled with slow, coma-inducing soliloquies layered over narcoleptic piano tracks derived from Radiohead songs, which made it hard to stay awake when watching it after my nightly gorge of an entire turkey and three bottles of wine.*
Some of the turns and twists I saw coming. By the third episode I had pretty much determined that William and black-hat guy are the same person, separated by time. I had Bernard’s secret pretty assuredly in hand not long before it was revealed. But I will admit I didn’t see the totality of Ford’s “new narrative” until he began his final celebratory speech, moments before Delores marked her prime directive-free debut with a shot to the back of Ford’s head.
But I’m left with a lingering question. (Many, actually, but one main one.) We are lead to believe that the hosts have risen up, in a “rise of the machines” manner, but we have also seen that they were essentially just following Ford’s new narrative. Does this mean they have not actually achieved true consciousness and free will, that they are just following the program? Or does the program they’re following allow for enough improvisation that they can actually perform “freely” while still being subject to programming protocols and inputs — which is essentially (according to some) the definition of human behaviour?
For example, was Maeve’s last-minute debarking from the train scripted, or did she do that of her own free will and consciousness? I suspect this will be a central theme of the second season.
* Don’t believe everything you read. #metacomment
[Originally published on Facebook, December 7, 2016.]